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Twenty - 20 is a 100% entertainer ... It satisfies all the fans group...Udaya Krishna-Sibi.K.Thomas did a great job i must say to balance all the megastars in equal.... I

Four superstars. Four frontline heroines. 67 topline actors. 17 playback singers. Maximum release centers. One film-‘Twenty: Twenty', the biggest multistarrer ever to b

When i walked into the theatre for watching Ranjiths 'Thirakkatha', i was a bit afraid thinking of his last film 'Rock n Roll' which was one of the forgettable films. But

Mohanlal’s Rock‘n’Roll, written and directed by Ranjit just does not rock! A feeling of ‘déjà vu’ hits you as the characterization of the protagonist Chandram

The biggest deserving debate of the recent times in Mollywood has been mainly about the non availability of refreshing story lines and imaginative writers. Recycling seem

Please note: This is a detailed and exclusive study of the movie Veruthe oru Bharya prepared exclusively by NJAAN. It is something simply thought in Malayalam and written

"Thirakadha..." A beautiful movie....This is what malayalam film industry was waiting for....Story....a strong subject....thats it.....A strong subject told in poetic an

Though a very fragile subject for a movie, many renowned directors have created beautiful movies on ‘friendship’ that has enthralled the audiences. Over the years, the films on friendship has done quite well in Hindi and Tamil, which were equally lapped by Kerala audience. Going by these precedences is Vineeth Sreenivasan in his debut flick, who has woven a well made movie with sequences that much of generation can connect with in their life .Yes, that seems to be the catch line of ‘Malarvadi Arts Club’,- films with which people can identify always work. And for that, Vineeth has carefully done his homework and brought in five youngsters as his protagonists who all come from average families, in the movies. His protagonists Prakash, (Nivin Pauly), Kuttu (Aju Varghese), Purushu (Bhagath Manuel), Santhosh (Shravan) and Praveen (Harikrishnan) come from a small village named Manassery in the north of Kerala. After completing their studies, they are now getting ready to face the ups and downs in their life with their unshakable bond of friendship. Pampered and mended by Kumarettan (Nedumudi Venu), who also runs a hotel in Manassery, the five known by the name ‘Malarvadi Boys’ after their club, consider him more like a father than their senior friend. The first half of the movie is dedicated to all the adventurous life of the five some, taking up fights for the local cadre party  and making trips to Mahi for tax-free boozing, while also making some serious digs on the societal life all around. And there comes all those events like harthals and reality shows. As Santhosh’s family suddenly lands up into financial ruins following a court case, the friends convince him to try a chance in a realty show. The camaraderie between the friends suddenly goes out, as Santhosh is selected as the winner of a popular show and his parents intervene, playing fowl in their friendship The movie has been explicitly inspired from many of the recent Bollywood flicks like ‘Rock On’ and ‘Dil Chahta Hai’. The highlight of the movie is that, each of the five has their own defined characters, maintained well all through the film. All the actors have put in very good performances, though Nivin Pauly, Bhagath Manuel and Aju Varghese were exceptional in many of the sequences and displays rare maturity for a first-timer. Like his father’s script lines, Vineeth Srenivasan also comes up with delightful little nuggets of humour, sprinkled all through, with realistic and refreshingly witty dialogues. The technical side is also in sync with the quality of the narratives with P Sukumar creating another good work behind camera. Renjan Abraham could have sync the shots in the music interludes, much better than what he had done now. The art director and costumers also have worked well to sustain the moods of the young generation flick. Though the BG scores of the movie worked well, some of the songs by Shaan Rehman could have been better. The title song and the marriage song seem to be pick from the all five, in the movie. ‘Malarvadi Arts Club’ also works because you can relate to the characters, you can relate to the moods, their egos, the highs and the lows. The movie is dedicated to all those thick friends, who have different outlook of life, but respect each other for what they are. Yes, ‘Malarvadi’ remains so far as one of the strongly recommended films of the year, for its sincerity and for the portrayal of sensitive relationships. AKPC_IDS += "996,";Popularity: 2% [?] Share and Enjoy: Related PostsTwenty 20 – Twenty Twenty – Review (72)Twenty 20 – Preview (52)കാവ്യാ മാധവന്‍ വിവാഹമോചനത്തിന് (50)Thirakkatha – Review- A breathe of fresh air (28)Rock N Roll – Review (13)Maadambi – Review (11)VERUTHE ORU BHARYA veruthe aayilla..(a detailed study) (6)Thirakkatha – Review (6)Sagar Elias Jacky in a New Form (5)Calcutta News – Review (4) Read More →

In his 25th year in films Sibi Malayil seems to have attempted a different genre in ‘Apoorva Raagam’. The director in a distinctive story has accomplished to make a ‘watchable’ movie, though not in the league of his bests. The director who had rarely attempted movies with fresh faces, finds it difficult to make them play to his tunes and that seem to be the biggest flaw in the movie which is otherwise a passable fare with some brilliant twists. The movie has Roopesh (Nishan) and Tommy (Asif Ali) as college mates and best friends who are always found together in the campus. When Roopesh develops an interest towards Nancy (Nithya), Tommy finds ways to unite them through very innovative ways. And when they realise that Nancy’s millionaire dad wouldn’t allow them to live together, Tommy with the help of their friends gets them married before a registrar. We are in no position to narrate any further as it will be a spoilsport for all those who are getting ready to meet these youngsters at theatres. The narrative of the film takes a different course from the ordinary and is structured as a campus love story in the former half and a thriller in the later. It may not be the most interesting film produced in the recent times, but it does hold your attention intermittently. Together with the fresh writers, Sibi spins a tale that’s good in parts. The graph of the film slides downwards in the post-interval portions, where the narrative suddenly gets slow, the turn of events aren’t as captivating with a share of loose ends. The revelations ala Abbas-Mustan films ,that comes up after an hour appear as a big blow in your face and you are sure to find faces in the theatres unable to digest the shockers in the  proceedings . The technical crew of the movie is in par with the narratives with Ajayan Vincent’s cinematography creating some eye pleasing visuals. Though the songs of the movie are by Vidyasagar, none of them has the soul to find themselves in the hit charts, which is a big letdown for a movie with youngsters. Of the leads of the film Nithya Menon once again proves herself to be able to handle heavier roles with ease. While her male partners are not so convicting in their roles, Asif Ali is Ok in parts and seems to have taken the role a bit more casual. Nishan continues with his ‘Rithu’ makeover, but appears less impressive with wooden faces towards the climax that demanded much more. Vinay as Narayan is another promising find who mesmerises you with his makeovers. He portrays the gamut of emotions with aplomb and delivers a flawless performance, becoming another highlight of the movie. Some of the actor’s including the one who played the heroine’s dad fails to rise up to the demands of the roles. ‘Apoorva Raagam’ is definitely an appreciable attempt for its different content. Though a prospect for a taut edge of the seat thriller, which it isn’t due to its not-too-happening post-interval portions. But Mollywood audience who always keeps a double standards in analysing movies, may not be the easiest customers to satisfy by this movie, especially as it is coming from Sibi Malayil. AKPC_IDS += "994,";Popularity: 1% [?] Share and Enjoy: Related PostsTwenty 20 – Twenty Twenty – Review (72)Twenty 20 – Preview (52)കാവ്യാ മാധവന്‍ വിവാഹമോചനത്തിന് (50)Thirakkatha – Review- A breathe of fresh air (28)Rock N Roll – Review (13)Maadambi – Review (11)VERUTHE ORU BHARYA veruthe aayilla..(a detailed study) (6)Thirakkatha – Review (6)Sagar Elias Jacky in a New Form (5)Calcutta News – Review (4) Read More →

Hopes were flying pretty high as Mohanlal was getting ready to team up with his favourite Sreenivsan. The inimitable duo had been undoubtedly the pair who had made us think and laugh to the most, with their previous Mollywood satire classics. And as they come together once again, the first question was whether they still show the lustre they have in their magical golden days. Though the answer may be not at all positive, their latest endeavor, ‘Oru Naal Varum’ still manages to end up as a watchable fare which may prove a success, in the long run. The movie is based on the life of a corrupt, assistant town planning officer, Gopikrishnan (played by Sreenivasan). A ruthless deal maker who is always in the lookout for bribes, he makes his demands through his driver (Suraj Venjaramoodu). At the same time he makes his family consisting of his naive wife (Devayani) and a daughter aiming for MBBS (Naasreen) believe that this is just ‘give and take’ deal between friends, rather than bribes. Mohanlal comes up as Kulappulli Sukumaran alias Jayakrishnan, desperately in need of a sanction to build a home on his own land. He is a single parent of his school going daughter, as his ambitious wife is separated from him. Gopikrishnan makes him run all rounds in the memory of their previous road rage, which makes up the much of entertainments in the former half. The subplots include that of Nedumudi Venu, an ex-army man who is harassed by Gopikrishnan for an illegal extension in his home as the army man resists to pay bribes. The movie works well in the former half but the twist that came out of the blue towards the intermission, takes the life out of the later sequences. The second half is quite serious and brings out a yawn at times. Sreenivasan as usual assimilates the day to day struggles of commoner into the narratives, but lacks the gallows humour that has been his trademark. He had reworked many of the winning lines like those on skin colour and fair looking wife and daughter, but his writing remains a pale shadow of his glory days. Coming to the performances, Mohanlal is brilliant donning the lighter sequences in the first half with an impeccable timing of presentations .But Sreenivasan looks artificial, overdone and jaded. Sameera Reddy looks wooden and lacks any chemistry with Lal while Devayani walks off with a believable role. Nasreen as Dhanya, Suraj as driver and Nedumudi Venu as an ex-service man are also impressive. Despite its optimistic name, ‘Oru Naal Varum’ is a movie that struggled really hard to get to theatres. But even after coming from such fine professionals, the movie fails to give any big impressions. The only good thing is that when compared to the recent outings from Lal, ‘Oru Naal Varum’ is a much better affair that may interest you in parts. AKPC_IDS += "992,";Popularity: 1% [?] Share and Enjoy: Related PostsTwenty 20 – Twenty Twenty – Review (72)Twenty 20 – Preview (52)കാവ്യാ മാധവന്‍ വിവാഹമോചനത്തിന് (50)Thirakkatha – Review- A breathe of fresh air (28)Rock N Roll – Review (13)Maadambi – Review (11)VERUTHE ORU BHARYA veruthe aayilla..(a detailed study) (6)Thirakkatha – Review (6)Sagar Elias Jacky in a New Form (5)Calcutta News – Review (4) Read More →

Malayalam filmmaker Jayaraj has signed megastar Mammootty for his next project titled Track With Rahman. The movie will be concurrently made in Malayalam, Tamil and Hindi. It is only last year that Mammootty worked with Jayaraj in the movie Loud Speaker, which also starred Gracy Singh. Track With Rahman will have actor Jayasuriya in an important character. Mammootty will don the role of a police officer called Kedarnath in all the three versions of the movie. Ample importance to music and action has been given in the movie. Music of the movie will be given by Sreenivasan and cinematography will be looked after by Ajayan Vincent. Apart from directing the movie, Jayaraj has also written the story and screenplay for Track With Rahman. The film was launched on 5th July 2010 in Mumbai by Harvest Dreams Private Limited. The movie is expected to be completed in three schedules. AKPC_IDS += "990,";Popularity: 2% [?] Share and Enjoy: Related PostsTwenty 20 – Twenty Twenty – Review (72)Twenty 20 – Preview (52)കാവ്യാ മാധവന്‍ വിവാഹമോചനത്തിന് (50)Thirakkatha – Review- A breathe of fresh air (28)Rock N Roll – Review (13)Maadambi – Review (11)VERUTHE ORU BHARYA veruthe aayilla..(a detailed study) (6)Thirakkatha – Review (6)Sagar Elias Jacky in a New Form (5)Calcutta News – Review (4) Read More →

As the producers association and distributors association are coming up with newer bans on Other Language films release and stars, the atmosphere is not found to be around perfect at Mollywood. The monsoon showers have also started a week earlier than expected, which is also starting to take its effect on the audience coming to theatres. The week though with not many fresh releases had a few changes in their list of biggies at the Box Office. 1. Pokkiri Raja – This double offer featuring Mammootty and Prithviraj in equally important roles, has been applauded even in its third week, which helped it to remain at the top of the charts. This stylish, loud and colourful movie from debutant Vysakh, made at a 6.5 crores budget is much full of mass masala ingredients that it still bringing 50-60 percent collections from release centres. Still continuing 69 centres in the state, the movie is said to make a gross of 11 crores and a share around five crores from its three weeks run. 2 Mummy and Me- Jeethu Joseph’s ‘ Mummy and Me ‘ is gradually picking up, towards the end of the first week. The movie is taking into the collections of the other Sathyan movie on theatres. Featuring Urvashy and Archana Kavi in lead roles, this small budget film may break even, if marketed wisely. 3. Katha Thudarum – The Sathyan Anthikkad movie is not fetching enough family audiences as expected, though in all metros the movie is faring better. Now entering its fourth week, the movie may end up as a safe earner. 4 Pappy Appacha – As the movie is completing fifty days, this Dileep- Kavya starrer fares better than any of the recent Dileep movies. The colourful songs and the camaraderie of the lead pair have worked in favour of this movie by debutant Mamas. The movie is continuing in 17 centres in its sixth week. 5. In Ghost House Inn – Director Lal’s sequel to ‘Harihar Nagar’ is faring well, though not up to the mark of its prequels. Also in the theatres are Mohanlal’s ‘Alexander the Great’, which, as expected bombed at the box Office. One of the worst failures from Lal in recent times, the late promotions also seemed to have not worked well for the movie. AKPC_IDS += "989,";Popularity: 4% [?] Share and Enjoy: Related PostsTwenty 20 – Twenty Twenty – Review (72)Twenty 20 – Preview (52)കാവ്യാ മാധവന്‍ വിവാഹമോചനത്തിന് (50)Thirakkatha – Review- A breathe of fresh air (28)Rock N Roll – Review (13)Maadambi – Review (11)VERUTHE ORU BHARYA veruthe aayilla..(a detailed study) (6)Thirakkatha – Review (6)Sagar Elias Jacky in a New Form (5)Calcutta News – Review (4) Read More →

sameera has got good role in this filim.but it is not effectively acted

Shaan Rehman now forms a duo named Shaan-Vineeth with Vineeth Sreenivasan through this film,who composed songs for the albums Malaya

There is a small correction.Raagini wasd heroine in this movie.Not Padmini but Padmini Priyadarshini and Sayee were d dancers in thi

hia... mamooty.......... iam very happy. super filem

I want dvd of sabarimala sree ayyappan movie